配對：Don Ｅppes/Ｃharlie Eppes
分級：PG
注意：
1.兄弟配對，不適者勿讀。
2.原作劇情與角色設定皆屬於原權利所有人。
說明：
這是來自少言的【二十字微小說挑戰】邀約。
2009年8月8日
[Doujin] [Ｎumb３rs] 10 x 20
原作：《Ｎumb３rs》
配對：Don Ｅppes/Ｃharlie Eppes
分級：PG
注意：
1.兄弟配對，不適者勿讀。
2.原作劇情與角色設定皆屬於原權利所有人。
說明：
這是來自少言的【二十字微小說挑戰】邀約。
配對：Don Ｅppes/Ｃharlie Eppes
分級：PG
注意：
1.兄弟配對，不適者勿讀。
2.原作劇情與角色設定皆屬於原權利所有人。
說明：
這是來自少言的【二十字微小說挑戰】邀約。
2009年5月29日
2009年5月20日
[Doujin] [Ｎumb3rs] I Shall Be Free
09/05/20，09/05/25修
■ 原始劇情、角色設定皆屬於原作權利所有人。
■ 《The Great Escape》的第二個平行結局。雖說沒看也沒差。
■ 暗示兄弟配對，適應不良者請迴避。
■ 故事有黑，皮怪物請迴避。
2009年5月19日
[REC] [Ｎumb３rs]300x300 頭像（噗浪）
09/05/19
故事卡住了，做圖倒是還有些想法。三枚。
第五季第21集。五季之間才出現第二次的睡姿…
第四季第2集，不用想也知道正在與誰通話…XD
第五季第21集。這季光線不知怎麼回事，省錢也不用這樣吧，不只讓人很難看清角色的演出，抓圖時也很難調色啊(毆)
2009年4月25日
2009年4月9日
[REC] [Ｎumb３rs]300x300 頭像（噗浪）
半夜聽人線上抱怨工作是打開繪圖軟體製作頭像的好時刻，所以，有濕淋淋的捲毛小狗兩枚，默然抑鬱的探員一枚（喂），而翻譯日文文件時相當有上傳的氣氛（喂喂）……但是，該寫出來的故事續篇呢？（喂喂喂）
《Ｎumb３rs》初登場的第一季第一集
從髮型可以看出是第一季，但…也是第一集乎？我忘了 囧
初登場的第一季第一集
2009年4月7日
[Doujin] [Ｎumb3rs] Lie To Me
■原始劇情、角色設定皆屬於原作權利所有人。
Lie To Me
■時點：一到五季都有可能？（謎）
■《I Was in Love with You》的續篇，字變多了一點，沒看前篇會容易搞不清楚這兩兄弟在幹麼。（毆）
2009年4月2日
[Doujin] [Ｎumb３rs] I Was in Love with You
■原始劇情、角色設定皆屬於原作權利所有人。
I Was in Love with You
■時點：一到五季都有可能？（謎）
■字數很少。
■題名出處：《I Was in Love with You》The Gutter Twins
2009年3月29日
[Rec]頭像300x300（噗浪）
整理收集到的Ｎumｂ3rs圖檔時，看到幾個有趣的東西，忍不住又開始玩起頭像。（去認真寫故事！）這次做出四枚數學家，以及FBI探員一枚。（毆）
《Ｎumｂ3rs》第五季第七集。
……呃，我忘了。囧
《Ｎumｂ3rs》第五季第一集。
《Ｎumｂ3rs》第一季終局。
《Ｎumｂ3rs》第五季第十集。
2009年3月22日
2009年3月14日
[Doujin] [Ｎumb3rs] Each to Each
09/03/14初稿，09/05/30修。
Each to Each
■所有劇情與角色設定皆屬於原權利所有人。
■與《Ｎumb３rs》第四季結局相關，有劇透。
2009年2月28日
2009年2月22日
[Doujin] [Ｎumb3rs] All Things Beautiful
All Things Beautiful
■就算沒看〈The Great Escape〉也沒多大關係的平行續篇。
■篇名出自Nick Cave與Warren Ellis創作的《刺殺傑西》原聲帶
■The Great Escape寫出來以後，有人一直打滾哭鬧－－所以想了一下，這之後有哪些狀況。畢竟五年很長，Don不論發生什麼事情，都應該很嚴重。
所以，總之，盡量有可能的解釋會是：
A.真的不在了→I Shall Be Free（正在想）
B.某種意義上的不在→All Things Beautiful（就是本篇）
C.他其實還在（？）（這個解釋就長了，很可能解釋不來 囧）
2009年2月20日
2009年1月22日
[Doujin] [Ｎumb3rs] The Great Escape
所有角色設定、劇情皆屬原作權利所有人。
The Great Escape
※光明節（Hanukkah）：根據猶太曆，每年的光明節是從「基斯流月」（ Kislev）的第25日起算。節日從日落開始，持續八天，猶太人會依照傳統相互交換禮物，和家人聚在一起享受大餐。（部分節譯：維基百科）
2008年11月24日
Exclusive: 'Criminal Minds,' 'Numb3rs' Find Syndie Homes
新聞來源
CBS crime procedurals step up to replace CSI block on CBS, Gannett, Belo and other station groups.
By Paige Albiniak -- Broadcasting & Cable, 11/17/2008 1:00:00 AM
CBS crime procedurals step up to replace CSI block on CBS, Gannett, Belo and other station groups.
By Paige Albiniak -- Broadcasting & Cable, 11/17/2008 1:00:00 AM
In 2010, stations are slated to lose two syndicated off-net shows that have already proved themselves top performers in late fringe: CSI: New York and CSI: Miami. But fear not; CBS Television Distribution plans to replace the two CSIs with two other popular off-CBS procedurals, Criminal Minds and Numb3rs.
“What appealed to stations—and this goes all the way back to 2004, starting with CSI—is that these shows will fit right into the late-fringe weekend time period,” says Joe DiSalvo, CTD's president of domestic television sales.
Right now, stations are scoring strong ratings with a late-fringe block of CSI: New York and CSI: Miami at 11:30 p.m. and 12:30 a.m. ET on Saturday and Sunday nights in most markets. But due to CTD's cable deals, both shows return to cable exclusively in 2010—CSI: New York to Spike and CSI: Miami to A&E. Spike currently strips New York on weekdays, while A&E airs Miami seven days a week. TV stations air both shows on weekends only. In 2010, the shows will exit broadcast syndication completely.
That's where Criminal Minds and Numb3rs come in. “We've developed this block that people have become accustomed to watching,” DiSalvo says.
The CBS-owned TV stations picked up the shows, and so have stations from the Gannett, Belo, Meredith, Cox and LIN chains.
“We treat every market as its own business, whether that market has a duopoly or a standalone station,” says Tom Kane, president of CBS Television Stations. “We hold our general managers responsible for their success rates in those markets. We can't just dictate to them. But acquiring these shows has been the unanimous choice of all of our GMs.”
Like all off-net hours in weekend broadcast syndication, stations acquired both shows on an all-barter basis. CTD gives stations the shows in exchange for seven minutes of time in which CTD sells national advertising. Stations get seven minutes of local inventory in the shows.
Shows sold on a barter-only basis can be as lucrative for TV studios as first-run shows if the ratings are high enough. A show such as CSI: New York can earn its studio as much as $40 million in broadcast barter sales alone over the course of its two-year contract, according to analysts.
Criminal Minds, produced jointly by ABC Studios and CBS Paramount Network Television, is a top performer that is one of the few shows in primetime to see growth this year. The first-run Minds wins its Wednesday 9 p.m. time slot; it's ranked eighth among viewers overall, and 14th among adults 18-49.
Compared to last year, the show is up 5% among viewers and adults 18-49, a rare feat in today's TV landscape. The show stars Joe Mantegna and Thomas Gibson, and is in its fourth season.
Numb3rs, produced by Ridley and Tony Scott's Scott Free Productions in association with CBS Paramount Network Television, is less seen in its Friday 10 p.m. time slot, but “it has the ability to find a new audience,” DiSalvo says. “It's a hidden jewel for us.”
Numb3ers, starring Rob Morrow and David Krumholtz, is ranked 30th among all viewers and 53rd among adults 18-49. Year to year, it is down 2% in viewers and 14% for adults 18-49.
Criminal Minds already has been sold to A&E for $650,000 an episode, according to industry estimates, while Ion is paying $175,000 per week to strip the show starting in 2009. Numb3rs has yet to find a cable home.
While cable sales for off-net procedurals like CSI: New York and CSI: Miami have been impressive, most hour-long dramas are struggling to find buyers. In the recent past, cable networks have broken the bank on acquisitions, with A&E paying a record $2.5 million an episode for HBO's The Sopranos in 2005.
But the cable environment has changed, with many networks such as TNT, USA, F/X, A&E, Lifetime and AMC turning their focus and their budget dollars to original scripted series.
“What appealed to stations—and this goes all the way back to 2004, starting with CSI—is that these shows will fit right into the late-fringe weekend time period,” says Joe DiSalvo, CTD's president of domestic television sales.
Right now, stations are scoring strong ratings with a late-fringe block of CSI: New York and CSI: Miami at 11:30 p.m. and 12:30 a.m. ET on Saturday and Sunday nights in most markets. But due to CTD's cable deals, both shows return to cable exclusively in 2010—CSI: New York to Spike and CSI: Miami to A&E. Spike currently strips New York on weekdays, while A&E airs Miami seven days a week. TV stations air both shows on weekends only. In 2010, the shows will exit broadcast syndication completely.
That's where Criminal Minds and Numb3rs come in. “We've developed this block that people have become accustomed to watching,” DiSalvo says.
The CBS-owned TV stations picked up the shows, and so have stations from the Gannett, Belo, Meredith, Cox and LIN chains.
“We treat every market as its own business, whether that market has a duopoly or a standalone station,” says Tom Kane, president of CBS Television Stations. “We hold our general managers responsible for their success rates in those markets. We can't just dictate to them. But acquiring these shows has been the unanimous choice of all of our GMs.”
Like all off-net hours in weekend broadcast syndication, stations acquired both shows on an all-barter basis. CTD gives stations the shows in exchange for seven minutes of time in which CTD sells national advertising. Stations get seven minutes of local inventory in the shows.
Shows sold on a barter-only basis can be as lucrative for TV studios as first-run shows if the ratings are high enough. A show such as CSI: New York can earn its studio as much as $40 million in broadcast barter sales alone over the course of its two-year contract, according to analysts.
Criminal Minds, produced jointly by ABC Studios and CBS Paramount Network Television, is a top performer that is one of the few shows in primetime to see growth this year. The first-run Minds wins its Wednesday 9 p.m. time slot; it's ranked eighth among viewers overall, and 14th among adults 18-49.
Compared to last year, the show is up 5% among viewers and adults 18-49, a rare feat in today's TV landscape. The show stars Joe Mantegna and Thomas Gibson, and is in its fourth season.
Numb3rs, produced by Ridley and Tony Scott's Scott Free Productions in association with CBS Paramount Network Television, is less seen in its Friday 10 p.m. time slot, but “it has the ability to find a new audience,” DiSalvo says. “It's a hidden jewel for us.”
Numb3ers, starring Rob Morrow and David Krumholtz, is ranked 30th among all viewers and 53rd among adults 18-49. Year to year, it is down 2% in viewers and 14% for adults 18-49.
Criminal Minds already has been sold to A&E for $650,000 an episode, according to industry estimates, while Ion is paying $175,000 per week to strip the show starting in 2009. Numb3rs has yet to find a cable home.
While cable sales for off-net procedurals like CSI: New York and CSI: Miami have been impressive, most hour-long dramas are struggling to find buyers. In the recent past, cable networks have broken the bank on acquisitions, with A&E paying a record $2.5 million an episode for HBO's The Sopranos in 2005.
But the cable environment has changed, with many networks such as TNT, USA, F/X, A&E, Lifetime and AMC turning their focus and their budget dollars to original scripted series.
訂閱：
文章 (Atom)