以下新聞內容會提及劇情與影響部分角色設定，請酙酌。
2010年10月14日
2009年1月5日
芥川賞、直木賞候補作決まる
第１４０回芥川賞、直木賞（日本文学振興会主催）の候補作が４日発表された。初候補は芥川賞が墨谷渉さんと吉原清隆さんの２氏、直木賞が北重人さん、葉室麟さん、道尾秀介さんの３氏。選考会は１５日午後５時から東京都中央区の「新喜楽」で開かれる。候補作は次の通り。（敬称略）
【芥川賞】鹿島田真希「女の庭」（文芸秋号）▽墨谷渉「潰玉（かいぎょく）」（文学界１２月号）▽田中慎弥「神様のいない日本シリーズ」（同１０月号）▽津村記久子「ポトスライムの舟」（群像１１月号）▽山崎ナオコーラ「手」（文学界１２月号）▽吉原清隆「不正な処理」（すばる１２月号）
【直木賞】恩田陸「きのうの世界」（講談社）▽北重人「汐のなごり」（徳間書店）▽天童荒太「悼む人」（文芸春秋）▽葉室麟「いのちなりけり」（同）▽道尾秀介「カラスの親指」（講談社）▽山本兼一「利休にたずねよ」（ＰＨＰ研究所）。（2009/01/05-05:36）
2008年11月24日
Exclusive: 'Criminal Minds,' 'Numb3rs' Find Syndie Homes
新聞來源
CBS crime procedurals step up to replace CSI block on CBS, Gannett, Belo and other station groups.
By Paige Albiniak -- Broadcasting & Cable, 11/17/2008 1:00:00 AM
CBS crime procedurals step up to replace CSI block on CBS, Gannett, Belo and other station groups.
By Paige Albiniak -- Broadcasting & Cable, 11/17/2008 1:00:00 AM
In 2010, stations are slated to lose two syndicated off-net shows that have already proved themselves top performers in late fringe: CSI: New York and CSI: Miami. But fear not; CBS Television Distribution plans to replace the two CSIs with two other popular off-CBS procedurals, Criminal Minds and Numb3rs.
“What appealed to stations—and this goes all the way back to 2004, starting with CSI—is that these shows will fit right into the late-fringe weekend time period,” says Joe DiSalvo, CTD's president of domestic television sales.
Right now, stations are scoring strong ratings with a late-fringe block of CSI: New York and CSI: Miami at 11:30 p.m. and 12:30 a.m. ET on Saturday and Sunday nights in most markets. But due to CTD's cable deals, both shows return to cable exclusively in 2010—CSI: New York to Spike and CSI: Miami to A&E. Spike currently strips New York on weekdays, while A&E airs Miami seven days a week. TV stations air both shows on weekends only. In 2010, the shows will exit broadcast syndication completely.
That's where Criminal Minds and Numb3rs come in. “We've developed this block that people have become accustomed to watching,” DiSalvo says.
The CBS-owned TV stations picked up the shows, and so have stations from the Gannett, Belo, Meredith, Cox and LIN chains.
“We treat every market as its own business, whether that market has a duopoly or a standalone station,” says Tom Kane, president of CBS Television Stations. “We hold our general managers responsible for their success rates in those markets. We can't just dictate to them. But acquiring these shows has been the unanimous choice of all of our GMs.”
Like all off-net hours in weekend broadcast syndication, stations acquired both shows on an all-barter basis. CTD gives stations the shows in exchange for seven minutes of time in which CTD sells national advertising. Stations get seven minutes of local inventory in the shows.
Shows sold on a barter-only basis can be as lucrative for TV studios as first-run shows if the ratings are high enough. A show such as CSI: New York can earn its studio as much as $40 million in broadcast barter sales alone over the course of its two-year contract, according to analysts.
Criminal Minds, produced jointly by ABC Studios and CBS Paramount Network Television, is a top performer that is one of the few shows in primetime to see growth this year. The first-run Minds wins its Wednesday 9 p.m. time slot; it's ranked eighth among viewers overall, and 14th among adults 18-49.
Compared to last year, the show is up 5% among viewers and adults 18-49, a rare feat in today's TV landscape. The show stars Joe Mantegna and Thomas Gibson, and is in its fourth season.
Numb3rs, produced by Ridley and Tony Scott's Scott Free Productions in association with CBS Paramount Network Television, is less seen in its Friday 10 p.m. time slot, but “it has the ability to find a new audience,” DiSalvo says. “It's a hidden jewel for us.”
Numb3ers, starring Rob Morrow and David Krumholtz, is ranked 30th among all viewers and 53rd among adults 18-49. Year to year, it is down 2% in viewers and 14% for adults 18-49.
Criminal Minds already has been sold to A&E for $650,000 an episode, according to industry estimates, while Ion is paying $175,000 per week to strip the show starting in 2009. Numb3rs has yet to find a cable home.
While cable sales for off-net procedurals like CSI: New York and CSI: Miami have been impressive, most hour-long dramas are struggling to find buyers. In the recent past, cable networks have broken the bank on acquisitions, with A&E paying a record $2.5 million an episode for HBO's The Sopranos in 2005.
But the cable environment has changed, with many networks such as TNT, USA, F/X, A&E, Lifetime and AMC turning their focus and their budget dollars to original scripted series.
“What appealed to stations—and this goes all the way back to 2004, starting with CSI—is that these shows will fit right into the late-fringe weekend time period,” says Joe DiSalvo, CTD's president of domestic television sales.
Right now, stations are scoring strong ratings with a late-fringe block of CSI: New York and CSI: Miami at 11:30 p.m. and 12:30 a.m. ET on Saturday and Sunday nights in most markets. But due to CTD's cable deals, both shows return to cable exclusively in 2010—CSI: New York to Spike and CSI: Miami to A&E. Spike currently strips New York on weekdays, while A&E airs Miami seven days a week. TV stations air both shows on weekends only. In 2010, the shows will exit broadcast syndication completely.
That's where Criminal Minds and Numb3rs come in. “We've developed this block that people have become accustomed to watching,” DiSalvo says.
The CBS-owned TV stations picked up the shows, and so have stations from the Gannett, Belo, Meredith, Cox and LIN chains.
“We treat every market as its own business, whether that market has a duopoly or a standalone station,” says Tom Kane, president of CBS Television Stations. “We hold our general managers responsible for their success rates in those markets. We can't just dictate to them. But acquiring these shows has been the unanimous choice of all of our GMs.”
Like all off-net hours in weekend broadcast syndication, stations acquired both shows on an all-barter basis. CTD gives stations the shows in exchange for seven minutes of time in which CTD sells national advertising. Stations get seven minutes of local inventory in the shows.
Shows sold on a barter-only basis can be as lucrative for TV studios as first-run shows if the ratings are high enough. A show such as CSI: New York can earn its studio as much as $40 million in broadcast barter sales alone over the course of its two-year contract, according to analysts.
Criminal Minds, produced jointly by ABC Studios and CBS Paramount Network Television, is a top performer that is one of the few shows in primetime to see growth this year. The first-run Minds wins its Wednesday 9 p.m. time slot; it's ranked eighth among viewers overall, and 14th among adults 18-49.
Compared to last year, the show is up 5% among viewers and adults 18-49, a rare feat in today's TV landscape. The show stars Joe Mantegna and Thomas Gibson, and is in its fourth season.
Numb3rs, produced by Ridley and Tony Scott's Scott Free Productions in association with CBS Paramount Network Television, is less seen in its Friday 10 p.m. time slot, but “it has the ability to find a new audience,” DiSalvo says. “It's a hidden jewel for us.”
Numb3ers, starring Rob Morrow and David Krumholtz, is ranked 30th among all viewers and 53rd among adults 18-49. Year to year, it is down 2% in viewers and 14% for adults 18-49.
Criminal Minds already has been sold to A&E for $650,000 an episode, according to industry estimates, while Ion is paying $175,000 per week to strip the show starting in 2009. Numb3rs has yet to find a cable home.
While cable sales for off-net procedurals like CSI: New York and CSI: Miami have been impressive, most hour-long dramas are struggling to find buyers. In the recent past, cable networks have broken the bank on acquisitions, with A&E paying a record $2.5 million an episode for HBO's The Sopranos in 2005.
But the cable environment has changed, with many networks such as TNT, USA, F/X, A&E, Lifetime and AMC turning their focus and their budget dollars to original scripted series.
2007年11月29日
英國BBC百大圖書排行榜
（資料來源:BBC The Big Read Book of Books - The Nation's 100 Favourite Books, Dorling Kindersley Limited, 2003）
1. Birdsong (1993) – Sebastian Faulks
2. Captain Corelli’s Mandolin (1994) – Louis de Bernieres
3. Catch-22 (1961) – Joseph Heller
4. The Catcher in the Rye (1951) – J. D. Salinger
5. Gone With the Wind (1936) – Margaret Mitchell
6. Great Expectations (1860-61) – Charles Dickens
7. Harry Potter and the Goblet of Fire (2000) – J. K. Rowling
8. His Dark Materials – Philip Pullman
9. The Hitchhiker’s Guide to the Galaxy (1979) – Douglas Adams
10. Jane Eyre (1847) – Charlotte Bronte
11. The Lion, The Witch and the Wardrobe (1950) – C. S. Lewis
12. Little Women (1868) – Louisa May Alcott
13. The Lord of the Rings (1954-55) – J. R. R. Tolkien
14. Nineteen Eighty-Four (1949) – George Orwell
15. Pride and Prejudice (1813) – Jane Austen
16. Rebecca (1938) – Daphne du Maurier
17. To Kill a Mockingbird (1960) – Harper Lee
18. War and Peace (1863-69) – Leo Tolstoy
19. The Wind in the Willows (1908) – Kenneth Grahame
20. Winnie the Pooh (1926) – A. A. Milne
21. Wuthering Heights (1847) – Emily Bronte
22. Harry Potter and the Philosopher’s Stone (1997) – J. K. Rowling
23. Harry Potter and the Chamber of Secrets (1998) – J. K. Rowling
24. Harry Potter and the Prisoner of Azkaban (1999) – J. K. Rowling
25. The Hobbit (1937) – J. R. R. Tolkien
26. Tess of the D’Urbervills (1891) – Thomas Hardy
27. Middlemarch (1871-72) – George Eliot
28. A Prayer for Owen Meany (1989) – John Irving
29. The Grapes of Wrath (1939) – John Steinbeck
30. Alice’s Adventures in Wonderland (1865) – Lewis Carroll
31. The Story of Tracy Beaker (1991) – Jacqueline Wilson
32. One Hundred Years of Solitude (1967) – Gabriel Garcia Marquez
33. The Pillars of the Earth (1989) – Ken Follett
34. David Copperfield (1849-50) – Charles Dickens
35. Charlie and the Chocolate Factory (1964) – Roald Dahl
36. Treasure Island (1883) – Robert Louis Stevenson
37. A Town Like Alice (1950) – Nevil Shute
38. Persuasion (1818) – Jane Austen
39. Dune (1965) – Frank Herbert
40. Emma (1816) – Jane Austen
41. Anne of Green Gables (1908) – L. M. Montgomery
42. Watership Down (1972) – Richard Adams
43. The Great Gatsby (1925) – F. Scott Fitzgerald
44. The Count of Monte Cristo (1844-46) – Alexandre Dumas
45. Brideshead Revisited (1945) – Evelyn Waugh
46. Animal Farm (1945-46) – George Orwell
47. A Christmas Carol (1843) – Charles Dickens
48. Far From the Madding Crowd (1874) – Thomas Hardy
49. Goodnight Mister Tom (1981) – Michelle Magorian
50. The Shell Seekers (1988) – Rosamunde Pilcher
51. The Secret Garden (1911) – Frances Hodgson Burnett
52. Of Mice and Men (1937) – John Steinbeck
53. The Stand (1978)– Stephen King
54. Anna Karenina (1874-76) – Leo Tolstoy
55. A Suitable Boy (1993) – Vikram Seth
56. The BFG (1982) – Roald Dahl
57. Swallows and Amazons (1930) – Arthur Ransome
58. Black Beauty (1877) – Anna Sewell
59. Artemis Fowl (2001) – Eoin Colfer
60. Crime and Punishment (1866) – Fyodor Dostoyevsky
61. Noughts and Crosses (2001) – Malorie Blackman
62. Memoirs of a Geisha (1997) – Arthur Goldman
63. A Tale of Two Cities (1859) – Charles Dickens
64. The Thorn Birds (1978) – Colleen McCullough
65. Mort (1987) – Terry Pratchett
66. The Magic Faraway Tree (1943) – Enid Blyton
67. The Magus (1966) – John Fowles
68. Good Omens (1990) – Terry Pratchett and Neil Gaiman
69. Guards! Guards! (1989) - Terry Pratchett
70. Lord of the Flies (1954) – William Golding
71. Perfume (1985) – Patrick Suskind
72. The Ragged Trousered Philanthropists (1914) – Robert Tressell
73. Night Watch (2002) – Terry Pratchett
74. Matilda (1988) - Roald Dahl
75. Bridget Jones’s Diary (1996) – Helen Fielding
76. The Secret History (1992) – Donna Tartt
77. The Woman in White (1860) – Wilkie Collins
78. Ulysses (1922) – James Joyce
79. Bleak House (1853) – Charles Dickens
80. Double Act (1995) – Jacqueline Wilson
81. The Twits (1980) – Roald Dahl
82. I Capture the Castle (1948) – Dodie Smith
83. Holes (1998) – Louis Sachar
84. Gormenghast – Mervyn Peake
Publication date (Titus Groan) 1946 (Gormenghast) 1950 (Titus Alone) 1959
85. The God of Small Things (1997) – Arundhati Roy
86. Vicky Angel (2000) – Jacqueline Wilson
87. Brave New World (1932) – Aldous Huxley
88. Cold Comfort Farm (1932) – Stella Gibbons
89. Magician (1982) – Raymond E. Feist
90. On The Road (1957) – Jack Kerouac
91. The Godfather (1969) – Mario Puzo
92. The Clan of the Cave Bear (1980) – Jean M. Auel
93. The Colour of Magic (1983) – Terry Pratchett
94. The Alchemist (Publication date 1988, English edition 1993) – Paulo Coelho
95. Katherine (1954) – Anya Seton
96. Kane and Abel (1979) – Jeffrey Archer
97. Love in the Time of Cholera (1985) – Gabriel Garcia Marquez
98. Girls in Love (1997) – Jacqueline Wilson
99. The Princess Diaries (2000) – Meg Cabot
100. Midnight’s Children (1981) – Salman Rushdie
1. Birdsong (1993) – Sebastian Faulks
2. Captain Corelli’s Mandolin (1994) – Louis de Bernieres
3. Catch-22 (1961) – Joseph Heller
4. The Catcher in the Rye (1951) – J. D. Salinger
5. Gone With the Wind (1936) – Margaret Mitchell
6. Great Expectations (1860-61) – Charles Dickens
7. Harry Potter and the Goblet of Fire (2000) – J. K. Rowling
8. His Dark Materials – Philip Pullman
9. The Hitchhiker’s Guide to the Galaxy (1979) – Douglas Adams
10. Jane Eyre (1847) – Charlotte Bronte
11. The Lion, The Witch and the Wardrobe (1950) – C. S. Lewis
12. Little Women (1868) – Louisa May Alcott
13. The Lord of the Rings (1954-55) – J. R. R. Tolkien
14. Nineteen Eighty-Four (1949) – George Orwell
15. Pride and Prejudice (1813) – Jane Austen
16. Rebecca (1938) – Daphne du Maurier
17. To Kill a Mockingbird (1960) – Harper Lee
18. War and Peace (1863-69) – Leo Tolstoy
19. The Wind in the Willows (1908) – Kenneth Grahame
20. Winnie the Pooh (1926) – A. A. Milne
21. Wuthering Heights (1847) – Emily Bronte
22. Harry Potter and the Philosopher’s Stone (1997) – J. K. Rowling
23. Harry Potter and the Chamber of Secrets (1998) – J. K. Rowling
24. Harry Potter and the Prisoner of Azkaban (1999) – J. K. Rowling
25. The Hobbit (1937) – J. R. R. Tolkien
26. Tess of the D’Urbervills (1891) – Thomas Hardy
27. Middlemarch (1871-72) – George Eliot
28. A Prayer for Owen Meany (1989) – John Irving
29. The Grapes of Wrath (1939) – John Steinbeck
30. Alice’s Adventures in Wonderland (1865) – Lewis Carroll
31. The Story of Tracy Beaker (1991) – Jacqueline Wilson
32. One Hundred Years of Solitude (1967) – Gabriel Garcia Marquez
33. The Pillars of the Earth (1989) – Ken Follett
34. David Copperfield (1849-50) – Charles Dickens
35. Charlie and the Chocolate Factory (1964) – Roald Dahl
36. Treasure Island (1883) – Robert Louis Stevenson
37. A Town Like Alice (1950) – Nevil Shute
38. Persuasion (1818) – Jane Austen
39. Dune (1965) – Frank Herbert
40. Emma (1816) – Jane Austen
41. Anne of Green Gables (1908) – L. M. Montgomery
42. Watership Down (1972) – Richard Adams
43. The Great Gatsby (1925) – F. Scott Fitzgerald
44. The Count of Monte Cristo (1844-46) – Alexandre Dumas
45. Brideshead Revisited (1945) – Evelyn Waugh
46. Animal Farm (1945-46) – George Orwell
47. A Christmas Carol (1843) – Charles Dickens
48. Far From the Madding Crowd (1874) – Thomas Hardy
49. Goodnight Mister Tom (1981) – Michelle Magorian
50. The Shell Seekers (1988) – Rosamunde Pilcher
51. The Secret Garden (1911) – Frances Hodgson Burnett
52. Of Mice and Men (1937) – John Steinbeck
53. The Stand (1978)– Stephen King
54. Anna Karenina (1874-76) – Leo Tolstoy
55. A Suitable Boy (1993) – Vikram Seth
56. The BFG (1982) – Roald Dahl
57. Swallows and Amazons (1930) – Arthur Ransome
58. Black Beauty (1877) – Anna Sewell
59. Artemis Fowl (2001) – Eoin Colfer
60. Crime and Punishment (1866) – Fyodor Dostoyevsky
61. Noughts and Crosses (2001) – Malorie Blackman
62. Memoirs of a Geisha (1997) – Arthur Goldman
63. A Tale of Two Cities (1859) – Charles Dickens
64. The Thorn Birds (1978) – Colleen McCullough
65. Mort (1987) – Terry Pratchett
66. The Magic Faraway Tree (1943) – Enid Blyton
67. The Magus (1966) – John Fowles
68. Good Omens (1990) – Terry Pratchett and Neil Gaiman
69. Guards! Guards! (1989) - Terry Pratchett
70. Lord of the Flies (1954) – William Golding
71. Perfume (1985) – Patrick Suskind
72. The Ragged Trousered Philanthropists (1914) – Robert Tressell
73. Night Watch (2002) – Terry Pratchett
74. Matilda (1988) - Roald Dahl
75. Bridget Jones’s Diary (1996) – Helen Fielding
76. The Secret History (1992) – Donna Tartt
77. The Woman in White (1860) – Wilkie Collins
78. Ulysses (1922) – James Joyce
79. Bleak House (1853) – Charles Dickens
80. Double Act (1995) – Jacqueline Wilson
81. The Twits (1980) – Roald Dahl
82. I Capture the Castle (1948) – Dodie Smith
83. Holes (1998) – Louis Sachar
84. Gormenghast – Mervyn Peake
Publication date (Titus Groan) 1946 (Gormenghast) 1950 (Titus Alone) 1959
85. The God of Small Things (1997) – Arundhati Roy
86. Vicky Angel (2000) – Jacqueline Wilson
87. Brave New World (1932) – Aldous Huxley
88. Cold Comfort Farm (1932) – Stella Gibbons
89. Magician (1982) – Raymond E. Feist
90. On The Road (1957) – Jack Kerouac
91. The Godfather (1969) – Mario Puzo
92. The Clan of the Cave Bear (1980) – Jean M. Auel
93. The Colour of Magic (1983) – Terry Pratchett
94. The Alchemist (Publication date 1988, English edition 1993) – Paulo Coelho
95. Katherine (1954) – Anya Seton
96. Kane and Abel (1979) – Jeffrey Archer
97. Love in the Time of Cholera (1985) – Gabriel Garcia Marquez
98. Girls in Love (1997) – Jacqueline Wilson
99. The Princess Diaries (2000) – Meg Cabot
100. Midnight’s Children (1981) – Salman Rushdie
2007年7月5日
[NEWS]「ALWAYS 三丁目の夕日」続編に大変なことが起こる？
［eiga.com 映画ニュース］ 東京タワー完成前、昭和33年の東京下町・夕日町の人々の人情を描いた
ヒット作の続編、「ALWAYS 続・三丁目の夕日」の製作報告会が7月4日、東京・三越前の日本橋HD DVDプラネタリウム跡地で行われた。会場には、吉岡秀隆、堤真一、小雪、堀北真希、須賀健太、薬師丸ひろ子ら前作でおなじみのキャストが顔を揃え、“本邦初公開”となる同作の約6分間のプロモーション映像を記者たちと一緒に鑑賞。上映後は山崎貴監督（脚本・VFXも担当）らも加わって登壇し、賑やかな会見となった。
今回は、東京タワー完成の翌年、皇太子殿下（現天皇陛下）御成婚や東京オリンピック開催決定に国民が沸いた昭和34年が舞台。茶川は淳之介を“食わせる”ために、芥川賞を目指して純文学の執筆に取り組むことに。一方、高度経済成長の波に乗って鈴木オートは取引先を拡大して順風満帆。そんな鈴木一家にお嬢様育ちの親戚の女の子がやって来て、というストーリー。
撮影は今年の3月までに終了し、現在はポストプロダクションの真っ最中とか。6分間の映像を初めて見た俳優陣は、VFXに依然奮闘中の山崎監督への期待とエールを込めて語った。「美しい国ニッポンは続『ALWAYS』にあります」（吉岡）、「あの音楽を聴いただけで涙腺がウルウルします。セットに初めて戻った時、続編ということで膝がガクガク震えた」（堤）、「皆さんの愛情と情熱を感じ取れますね」（小雪）、「前回の自分に勝てなかったら、2年間何も成長していないことになる」（堀北）、「早く全部見たいです」（須賀）、日本橋の上空に高速が架かっていないCG映像は、想像以上でした」（薬師丸）。
山崎監督は「続編は作らないという約束だった」と明かしたが、「キャストとスタッフが全員再結集してくれて、うれしかった。三丁目を訪ねてドキュメンタリーを撮っている楽しい雰囲気があって、常にモニターを見ながらゲラゲラ笑っていました」と語り、「CGについては、オープニングで“大変なこと” が起こるんです！」と意味深なコメントを残して会見を締めくくった。
「ALWAYS 続・三丁目の夕日」は、11月3日全国東宝系ロードショー。
ヒット作の続編、「ALWAYS 続・三丁目の夕日」の製作報告会が7月4日、東京・三越前の日本橋HD DVDプラネタリウム跡地で行われた。会場には、吉岡秀隆、堤真一、小雪、堀北真希、須賀健太、薬師丸ひろ子ら前作でおなじみのキャストが顔を揃え、“本邦初公開”となる同作の約6分間のプロモーション映像を記者たちと一緒に鑑賞。上映後は山崎貴監督（脚本・VFXも担当）らも加わって登壇し、賑やかな会見となった。
今回は、東京タワー完成の翌年、皇太子殿下（現天皇陛下）御成婚や東京オリンピック開催決定に国民が沸いた昭和34年が舞台。茶川は淳之介を“食わせる”ために、芥川賞を目指して純文学の執筆に取り組むことに。一方、高度経済成長の波に乗って鈴木オートは取引先を拡大して順風満帆。そんな鈴木一家にお嬢様育ちの親戚の女の子がやって来て、というストーリー。
撮影は今年の3月までに終了し、現在はポストプロダクションの真っ最中とか。6分間の映像を初めて見た俳優陣は、VFXに依然奮闘中の山崎監督への期待とエールを込めて語った。「美しい国ニッポンは続『ALWAYS』にあります」（吉岡）、「あの音楽を聴いただけで涙腺がウルウルします。セットに初めて戻った時、続編ということで膝がガクガク震えた」（堤）、「皆さんの愛情と情熱を感じ取れますね」（小雪）、「前回の自分に勝てなかったら、2年間何も成長していないことになる」（堀北）、「早く全部見たいです」（須賀）、日本橋の上空に高速が架かっていないCG映像は、想像以上でした」（薬師丸）。
山崎監督は「続編は作らないという約束だった」と明かしたが、「キャストとスタッフが全員再結集してくれて、うれしかった。三丁目を訪ねてドキュメンタリーを撮っている楽しい雰囲気があって、常にモニターを見ながらゲラゲラ笑っていました」と語り、「CGについては、オープニングで“大変なこと” が起こるんです！」と意味深なコメントを残して会見を締めくくった。
「ALWAYS 続・三丁目の夕日」は、11月3日全国東宝系ロードショー。
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